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“Why dost not speak to me?”

January 9th, 2011 No comments

Marcus Andronicus,

to his niece, Lavinia:

 

Why dost not speak to me?

 

Alas, a crimson River of warm blood,

 

Like to a bubbling Fountain stirred with wind,

 

Doth rise and fall between thy Rosed lips,

 

Coming and going with thy honied breath.

 

But sure some Tereus hath deflowered thee,

 

And lest thou shouldst detect them cut thy tongue.


Without her saying a word, Marcus already knows an unspeakable shame has befallen his niece.  “And lest thou shouldst detect them” he says; he knows that she’s been attacked by more than one Tereus, and knows that the blood he sees on her face comes from a cut tongue.

Yet nothing in the play gives us any reason to suspect him of complicity in the crime – quite the opposite.  Throughout the furies of bloody vengeance, Marcus remains a totem of noble, compassionate stability.  He knows more than he should simply because his creator is not offering realistic drama, but a stylized pageantry of mythic revenge.  “Shakespeare”, in the person of Uncle Marcus, speaks like a young poet stumbling through a textbook translation of brute and nasty fact into beautified, exalted truth.

Some truths are too horrifying, or embarrassing, or dangerous to speak of, except through the shimmering veils of poetry or the grotesques of old wives’ tales.  Richard Enowes’ confessed crime of 1585 falls into this category.  Forty years pass before even a whisper of this callous gang rape surfaces in the records, and even that document leaves us with more questions than answers.  When did John de Vere learn of the attack on Joan?  When, if ever, did he discover who was responsible?  If he’d known that his sister Anne’s husband, Edmund Sheffield, and his sister Elizabeth’s husband, Thomas Darcy, had organized the assault, would he have chosen to remain silent rather than accuse his own kinsman and shame his family name?  Could he possibly have known all along just what they were up to?  As Alan Nelson observes:

The 16th Earl’s exact role in the attack on Joan Jockey is uncertain.  Either his two brothers-in-law acted to destroy an alliance that they regarded as a threat to their own interests; or the Earl cooperated in an effort to drive away a woman who had become a liability.  That the Earl was somehow complicit is suggested by the fact that Enowes and Smith stayed in his service, as revealed by the Earl’s will of 1562, while he remained on exceedingly good terms with Darcy, as revealed in his will of 1552.

When I first read this, it seemed to me that Nelson’s bias against Edward de Vere’s person had unfairly spilled over to the father.   He starts out on firm footing, recognizing the benefits of a potential new alliance to Darcy and Sheffield.  But then he neglects to examine other possible reasons for Earl John’s continued employment of Enowes and Smith, or the full, coercive context of those “good terms with Darcy”.  No where in his account do we learn of Earl John’s shattering loss of another brother-in-law, Henry Howard, beheaded in the midst of his erratic marriages.  Perhaps one needs to have lived in terror to recognize when others are manifesting the strains of life under a tyrant.

Truth to tell, my own response to the 1585 depositions has been equally biased.  In my earliest phase of writing about Titus Andronicus from an Oxfordian perspective, I was too ready to interpret “Shakespeare’s” dramatization of a similar rape, and how Uncle Marcus responds, as evidence of how the real author, Edward Oxenford, knew his father had reacted to the assault on Joan.  The lines I’ve quoted above, along with so much of the play,  seemed to me a wonderfully compassionate record of his father’s helpless fury over what his in-laws had done.  But for all we know, Oxford had never heard of Joan Jockey before 1585.

How would a trained historian approach the evidence, both documentary and literary? It seems to me that any account of Oxford’s life must begin with a clear, emotionally detached – left-brained if you will – assessment of the documents, before flying aloft with right-brain intuitions of a deeper, camouflaged truth.  I now know that my own first, second and third readings of the 1585 depositions failed to pick up many small hints and inconsistencies within the five different accounts.  The layout of the document made it very difficult (for me at least) to keep track of what question each man was answering, and who said what before and after him, in response to the same question.  For ease of comprehension, I’ve now reformatted the questions and answers, and posted what I hope will be a more reader-friendly version: 1585 Depositions Concerning Oxford’s Legitmacy. [filed under “The Life”, top menu]

In two earlier posts, “John de Vere’s firstborn son” and “The Goddess of Justice“, I’ve been laying the groundwork for an in-depth re-examination of every piece of evidence relevant to Oxford’s birth.  In the next few weeks, I’ll be reviewing six different summaries of what the 1585 depositions actually say:

1. Alan H. Nelson, who gives the fullest account of the Joan Jockey incident on  pp. 14-19 of Monstrous Adversary (2003).

2. Daphne Pearson, who briefly discusses Oxford’s legitimacy problems on pg. 25 and on pg. 112 of Edward de Vere (1550-1604): The Crisis and Consequences of Wardship (2005).

3. Mark Anderson, who talks about John de Vere and his marriage problems on pg. 3 and discusses the”bastardy lawsuit” of 1563 on pg. 24 of Shakespeare by Another Name (2005).

4. Charles Beauclerk, who summarizes these claims of illegitimacy on pp. 56-7 of Shakespeare’s Lost Kingdom (2010).

5. Christopher Paul, whose article, “The ‘Prince Tudor” Dilemma: Hip Thesis, Hypothesis, or Old Wives’ Tale?” is frequently cited as a rebuttal to adventurous theories about Oxford’s birth.

6. Nina Green, who deftly summarizes the 1585 Depositions; mentions the issue in the footnotes to her 2009 Brief Chronicles article,  “The Fall of the House of Oxford”, and again in her Oxmyth’s involving other individuals page, where she lists as “Myth” the assertion that “the 16th Earl’s second marriage, to Margery Golding, was ‘irregular’.”

If you know of an important discussion of this document that I’ve overlooked, whether published in a book, journal, newsletter or online, please send me a message so I can include it in this survey.  Many thanks!

Why dost not speak to me?

Alas, a crimson River of warm blood,

Like to a bubbling Fountain stirred with wind,

Doth rise and fall between thy Rosed lips,

Coming and going with thy honied breath.

But sure some Tereus hath deflowered thee,

And lest thou shouldst detect them cut thy tongue.

The Goddess of Justice

December 25th, 2010 No comments

Terras

Astraea

reliquit

“Astraea has left the earth.”

The phrase is from Ovid’s Metamorphoses, but Shakespeare gives it new meaning when he has the grieving Titus Andronicus rouse his kinsmen to join him in some madcap archery, shooting arrows into the emperor’s court, each one tipped with a supplication to the gods.

Titus, if you recall, had very good reason for his madness, whether feigned or real: the emperor’s step-sons had raped and horribly disfigured his daughter Lavinia, and he had seen the heads of two of his sons tumbled at his feet, knowing full well that they’d been executed on false charges and through a heartless deceit that had cost him his own hand.  “We may go pipe for justice,” he tells his gathered family, including his brother Marcus, grandson Lucius, and several assembled nephews.

As Jonathan Bate notes in his edition of the play, “Queen Elizabeth was frequently mythologized as Astraea.”

Had John de Vere lived to see Titus Andronicus played onstage, he might well have appreciated the old warrior’s fantastical, near-treasonous shenanigans with bow and arrow.  Back in Great Harry’s time, his brother-in-law, Henry Howard, earl of Surrey, had cooled his heels in the Fleet prison after a shooting spree with “stone bows” through the streets of London.  While incarcerated, he wrote an indignant poem mocking the citizens of London and those who had detained him.

The “emperor” – as Henry VIII had styled himself – was not pleased.  Two years later, on Dec. 12, 1546, Surrey and his father, Thomas, 3rd duke of Norfolk, were arrested on specious charges, and soon condemned for treason.  Surrey was beheaded five weeks later, on January 19.  Only the death of Henry VIII had saved Norfolk from the same fate.  Earl John’s sister Frances was eight months pregnant when her husband was executed.  Since the records are silent as to their reactions, we can only imagine what John and Frances thought about the king’s “justice”.

Titus first played in London sometime between 1584 and 1589, according to Ben Jonson. On January 19, 1585 – exactly thirty-nine years after the beheading of Surrey – Richard Enewes, aged 92 “or thereabouts” admitted to the queen’s attorney general what he had done to Joan Jockey many long years ago:

…in the absence of the Earl, [John de Vere] the Lord Darcy and Lord Sheffield came to Earl’s Colne, and this examinant [Enewes himself] & two more with him brake open the door where the same Joan was and spoiled her, and this examinant’s fellow, John Smith, cut her nose, and thereupon after she was put away.

Joan Jockey was the village girl whom the 16th earl of Oxford had married at White Colne Church in the spring of 1546 or 47, after his first wife Dorothy had left him.  Curiously, her fate – an attack led by two men of the new nobility, both related by marriage to her husband – seems unnervingly close to what befell Shakespeare’s Lavinia.

It appears that Earl John’s reckless wedding was not well-received by Lord Darcy and Lord Sheffield, who were married to the earl’s sisters Elizabeth and Anne, respectively.  While their motivations remain obscure, it does seem that these two lords were responsible for organizing the vicious attack on Joan.  “Spoiled her” most likely indicates that she was raped, since Enewes speaks of the cutting as a separate action.

Would Astraea, goddess of Justice, now punish Richard Enewes and his surviving fellows, for their hideous crime?

Not on this day.  At issue was a lawsuit initiated by Hugh Key against Richard Masterson, over a manor bequeathed to Margery Golding by her husband, John de Vere, as Nina Green explains in her summary of the case.  Apparently, Hugh Key sought to prove that Edward de Vere’s birth was unlawful; unfortunately, his side of the story is missing from the records.  The testimony that we read in the surviving documents was offered “on the part & behalf of Richard Masterson gentleman, defendant against Hugh Key complainant.”  The job of these five witnesses was to give evidence in support of Masterson, whose claim to any interest in the disputed property required that Edward de Vere be the legal heir of Earl John.  To a man, each swore that to the best of their knowledge, the birth of Edward, now earl of Oxford, was lawful.

But if any one of them had knowledge to the contrary, would they have dared to offer it?  Although she doesn’t pose this question, Nina Green unintentionally implies as much when she observes:

Had the marriage been found to be illegitimate, it would have invalidated Oxford’s right to the earldom and therefore the Queen’s right to Oxford’s wardship, and the Queen would have had to repay to those now found to be the legitimate heirs all the profits she had taken under Oxford’s wardship from 1562 to 1585. It was perhaps for this reason that the Queen appointed her two highest-ranking legal officers, her Attorney-General, John Popham, and her Solicitor-General, Thomas Egerton, to conduct the examinations of the five witnesses. [emphasis added]

Certainly, on pecuniary grounds alone, it was not in the queen’s self-interest to allow anyone to find that Oxford was a bastard. Yet even without this selfish motivation, Elizabeth’s instincts would have been to protect Lord Burghley’s son-in-law, as Walter Ralegh might have cunningly reminded her.  On May 12, 1583, he’d written to Burghley, trumpeting his success in coaxing the queen to drop her present inclination to re-open the Howard-Arundel affair:

I answered that being assured her Majesty would never permit anything to be prosecuted to the Earl’s danger, if any such possibility were, and therefore it were to small purpose after so long absence, and so many disgraces, to call his honor, and name, again in question, whereby he might appear the less fit either for her favor or presence, in conclusion her Majesty confessed that she meant it only thereby to give the Earl warning… [emphasis added] (Monstrous Adversary, p. 290)

Consummate politician that he was, Ralegh used the queen’s devotion to Burghley, and concern for the old man’s health, as his trump card:

I delivered her your lordship’s letter and what I said farther, how honorable, and profitable it were for [her] Majesty to have regard to your Lordship[s] health and quiet…

Thanks to the aggravated testimony of Charles Arundel, back in December of 1580, we know that Oxford had been bitterly stung by the queen’s true opinion on his birth.  As Arundel remembers it, the earl had both complained and threatened revenge for her taunting comment: “That the Queen said he was a bastard, for which cause he would never love her, and leave her in the lurch one day. One mistress for love, another for the pound.”

Knowing that her Majesty knew something about his doubtful legitimacy, Edward de Vere must have been just a tad anxious to learn what questions her Attorney-General Popham and Solicitor-General Egerton would put to the five men, and how they would reply.  Would the goddess of Justice bring to light dark truths that even he had never suspected about his father’s irregular marriages?  Or would Elizabeth use the opportunity to once again “give the Earl warning”, reminding him of how very much – including “his honor, and name” –  he owed to her good will?